Matters of Benefit

关于利益

唐誉祯&原弓

2017.12.09 -2017.12.29

网站关于利益内容配图.jpg


原弓

537000是个地方

537000 is a place


作品类型:影像、装置

Video and installation


作品尺寸:可变

Variable size


作品数量:影像*4、装置*1

Video*4, installation *1


一)影像:

        Video:

AJOJO在玉林旧县村屠宰场的所见所闻。在屠狗场中,傩戏排演的道具,是用玉林当地人的日常生活用具和废竎物制作而成。


Records what was seen and heard as JoJo entered a dog slaughterhouse in Yulin.  In this house, a Nuo opera rehearsal props,created from the implements of daily life and discarded materials of the localpeople. (Nuo opera is an ancient ritual to exorcise and ward off evil spiritsin ancient China.)


网站关于利益内容配图原弓B.jpg

影像截图

B)影像在中国广西玉林旧县村屠夫的家中,记录了当地人厨房火焰烹煮狗只的节日生活。蓝色的置入是作者对当地人日常生活的干预,黒白跳闪挪用了瓦格纳女武神的飞翔的节奏。


Filmed at the butcher’s home in an oldcounty village of Yulin city in China’s Guangxi province, the video records the happenings at local people’s daily dining table.The embedding of “blue” isintervention into local people’s daily life. “Blue” is the calmness of the tabletop, sadness, helpless and uncoordinated.The “flashing black and white” image is the author’s subjective intervention of the event, the “flashing black andwhite” visual rhythm is transformed by Wagner’s “Ride of the Valkyries”


网站关于利益内容配图原弓C.jpg

影像截图

C)用火焰支解一具精致的景泰蓝狗骨并切碎的过程。


Using flame to cut one of China’s representative crafts — the traditional and ancient cloisonné, creating aninstallation of a dog’s skeleton viaa process of dividing into parts and cutting up.


D)作者与狗JOJO,在一个蓝色的水池中。


The author played up in the appearance of a dog, together with JoJo dancing in the bluepool.



二)装置:

        Installation:

支解后景泰蓝狗骨的碎片,重构摆放成广西玉林的邮编代码“537000”


The cut up pieces of the dog’s skeleton after dismemberment, reconstructed and put into Yulin, Guangxi’s postal code of 537000.


唐誉祯

For the Common Good


作品类型:影像和3D物件,2016

'Common Good' 在经济和政治学科中指的是

那部分大众所共享并受益的资源

随着数字技术发展

digital commons同物质资源一样引人关注。


三维图形数据的共享(‘digital commons’的一部分)倚赖着网络通信已大幅扩增其传播渠道。在3D打印技术兴盛并逐渐普及之时,人人都有可能通过获取相关数据而拥有其三维实体。数字特性与物质特性结合越发刺激着对该媒介的狂热。由此引发的争议便落到了是否该分享,共享某一部分三维数据;同时也是对digital commons这个概念的边界进行质疑。

The culture of 3D shapes online (part of the ‘digital commons’) embraces a vast variety of methods of distribution. Within the context of the boom in 3D printing, everyone has the potential to get tangible things as long as they are able to access the digital files. The relation between the digital and physical features enhances the current hype about this medium, whereas the diverse notion of sharing 3dprintable files urges our reconsiderations around these digital commons.


网站关于利益内容配图唐誉祯1.jpg

影像截图

For the Common Good包含两部分-3D打印的物件和视频影像。艺术家在Thingiverse平台上,选择了一组备受争议的物件/数据,它们存在一个灰色地带,受到来自个人用户,网络社区,乃至政府国家的争议;这组物件被打印出来呈现在展厅,与一组相关的评论共置。而影像中,艺术家结合这些物件设计了一组表演,她打破原本(被其三维文件的创作者们和大众)所计划或知晓的方式使用这组物件。这组物件的真实面貌被隐藏在了看似合理的表演中而获得了新的面貌。

For the Common Good consists of two main parts, the 3d printed objects  and the video. The artist works closely with a group of objects selected from Thingiverse, the most popular website for sharing creative commons of 3D files. They were printed physically together with comments related to each of them. In the video those objects are used by the artist in the ways of what they are not intended. They obtain changing faces in her video. 

网站关于利益内容配图唐誉祯2.jpg

影像截图